Showing posts with label shenmue. Show all posts
Showing posts with label shenmue. Show all posts

Sunday, September 18, 2011

Snatcher recording session

Jeremy Blaustein recently posted this incredible photo on his Facebook page, from recording Snatcher, which he has given permission to be shared elsewhere online. It's such a great snapshot from an interesting period in history (the change from cartridge to CD-ROM), that I'm reposting it here. Click the photo for a larger image.

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Jeremy Blaustein said:
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The only Snatcher recording session photo. 1993. Historic. Most people agree this is the first video game ever made with good voice acting. — with Lucy Childs, Jim Parks, Jr., Ray Van Steen, Michael Blaustein, Susan Mele and Jeff Lupetin.
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The Facebook page had tags, so I've had to add letters for ease. For a detailed character gallery, check out out THIS PAGE.

A - Lucy Childs (Metal Gear; Female Employee)
B - Jim Parks, Jr. (Random Hajile; Napoleon; Jean Jack Gibson; Ivan Rodorigez)
C - Ray Van Steen (Benson Cunningham; Harry Benson; Elijah Modnar; Chin Shu Oh; Narrator; Ramen Guy)
D - Michael Blaustein
E - Susan Mele (Jamie Seed; Fortune Teller)
F - Jeremy Blaustein
G - Jeff Lupetin (Gillian Seed; Snatcher)


Although their names weren't tagged, I presume the two ladies in the background, next to Susan Mele, are Kimberley Harne (Mika Slayton) and Lynn Foosaner (Katrina Gibson; Lisa; Telephone Operator). Or possibly the other way around.


Photos like this, taken using actual camera film and then later scanned in, are great. The fashions, the lighting, the texture that genuine camera-negatives give a photo, all add to the atmosphere when conveying that moment in time. I often wonder why we don't see more such photos from such events - perhaps no one thought to take them, or perhaps they're sitting in a drawer somewhere? Regardless, it's excellent to see these things resurface years later.

Snatcher was a defining moment in games for me, from when I first saw previews of the original and then later when I saw previews in GameFAN on the PS1 update, to when I was lucky enough to find someone selling their Sega CD games in a local paper, and then playing it and describing it to friends, none of whom had any idea what I was talking about because no one owned a Sega CD and they were all about the PS1. Their loss I say. And as others have said, the acting really was top notch.

Also, is it just me or does Jeremy look a bit like Ryo Hazuki in that leather jacket? It's worth noting HG101 has a lengthy interview with Jeremy, including his work on Shenmue. Check it out HERE if you hadn't before.
Posted by Sketcz at 4:09 AM 3 comments
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Wednesday, November 17, 2010

Sega's blissful ruination of their franchises continues




















Hey, remember a little series called Shenmue? An epic so large that two multi-disc spanning Dreamcast games didn't even scratch the surface of what Yu Suzuki envisioned?

Fans have been clamoring for Sega to let the series reach some sort of conclusion for years now.

Well, they're finally delivering!
















If you guessed 'with an MMO browser game that has little to nothing to do with Ryo Hazuki's quest to avenge his father at all', then congratulations, you're Sega's target audience.

According to an interview with Shenmue's creator in Famitsu, "Shenmue has the image of grand scale," said Suzuki. "But making something of grand scale requires appropriate preparation. I want to make 3 with the same volume as in the past. There have actually been a lot of requests from fans for 3 as well. There were even petitions signed by by tens of thousands of people. I wanted to carry out my obligations for the series."

So, don't hold your breath for a conclusion any time soon.



But wait, there's more!



























Sakura Wars is Sega's next lucky victim.

As reported in Famitsu, a Sakura Wars browser game is in development; a joint project between Red Entertainment, Trinity Game Studio and Rockworks.

Goody.

I don't suppose the utter failure of Sakura Wars V: So Long, My Love both abroad and in the US was any help, though.


Just stick to publishing, Sega.

I'd rather your franchises stay dead then have their corpses exhumed and defiled further.

(I'm sure the beleaguered Sonic community doesn't need me to remind them of how dire their situation is.)



Source: Andriasang
Posted by cj_iwakura at 8:40 PM 13 comments
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Friday, February 12, 2010

Mahjong, hanafuda, and other Japanese games

With the imminent release of Yakuza 3, I’ve been playing through Yakuza 2 – and I’ve discovered I quite like playing Mahjong in it.

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While I like western card games and Chess (sort of), the intrinsically exotic nature of Asian card/board games has always fascinated me. Unfortunately, living in the west has allowed little opportunity to be exposed to them, outside of foreign films and the occasional videogame. One of the most prominent examples is the Ryu ga Gotoku series, or Yakuza games, by Sega. Another English example is 42-in-1 All Time Classics (aka Clubhouse Games in the USA), a fantastic compilation for the Nintendo DS with a selection of really awesome classic games, complete with comprehensive guides to make learning easy for newcomers.


Join me as I briefly examine some of Asia’s various games, and the easiest methods for learning to play them. Click the names for a Wikipedia link and further explanation of the rules.


Mahjong
One of the things that really irks me is how in the west you’ll find games claiming to be Mahjong, when if fact it’s just a crude version of “snap” using Mahjong tiles. This is weird, and to me makes westerners appear slightly stupid. They’re captivated enough by the imagery of the game, enough to make use of the tiles, but lack the motivation to learn it and just go off and do their own thing.
Having seen Mahjong being played in countless Hong Kong action films, not to mention the ludicrous number of Mahjong games available on every system available, even arcades, I’ve always wanted to try it. Unfortunately it’s extremely complicated and so seldom if ever reaches the west - I seem to recall that Shenmue 2 on the Dreamcast allowed you to play Mahjong, but Sega removed this from the British localisation, presumably because it would have been too much effort to teach it to gaijin players.
Remedying this is the fact that Yakuza 2, also by Sega, not only features Mahjong in English, but it also comes with a fairly decent guide, which is enough to teach you the basics. Rules for the game vary, and Yakuza 2’s are perhaps slightly different from those you’ll find elsewhere (according to a guide I’ve read, they’ve been simplified), but basically you’re given 13 tiles and then each of the 4 players takes turns to pick up and then discard a new tile. Your aim is similar to poker: you want your entire hand to be made up of complete sets before ending the game. A set constitutes either 3 or 4 of the same tile (for example 3 or 4 tiles each featuring 7 bamboo trees), or you need a run in the same suit, for example 1/2/3, and so on, based on the suits which each contain 1-9 numbered tiles. There’s also a few unique tile sets which don’t adhere to the numbering system, instead featuring a kanji which represents a coloured dragon or a wind direction.

So basically you need a full house of 4 complete sets, plus a pair. For example, 1/2/3 - 4/5/6 - 7/8/9 - Dragon/Dragon/Dragon/ - and a pair of 3s in a different suit. You’re then out and that game ends.

You can either keep waiting to pick up the correct tile and then discard a useless one, or you can pick up your opponent’s recently discarded tile - but only if it completes a set you have, and if you do, you’re forced to display this complete set. Different combinations yield different scores, and this is where things get complicated. Yakuza 2’s Mahjong guide is over 20 pages long, listing the various scoring combinations and multipliers you can get. You also need to achieve a qualifying score combination, but this is fairly easy to get.

The best multiplier is when you don’t pick up opponents’ tiles, and complete your hand simply by picking from the deck and discarding. This is called a concealed hand, because you don’t have to reveal anything. So most games boil down to you focussing on your deck and making clever choices with regards to what you keep from the main deck. There’s obviously a lot more to it, and there are some clever tricks, but that’s the basics. You need a mathematical brain to work out the odds of getting your required tile, and a keen player keeps his options open. (having a 3/4 is better than having a 5/7, since with the former a 2 or 5 will let you win, whereas with the latter you’re stuck waiting for the 6)

Afterwards you steal points from your opponents, and so it continues for about 8 hands. The best thing about playing it in a videogame is that the computer handles all the complex scoring. Often I’ve finished a hand with more multipliers than I’d realised. It’s well worth learning to play, and the easiest way would be through Yakuza 2. There’s also a good FAQ on GameFAQs which covers the extra rules not mentioned in Yakuza 2 (you can’t pick up an opponent’s tile if you’ve declared Riichi and the tile you need to win is in your discard pile).I’m not sure if Yakuza 3 features Mahjong, but if it does, hopefully it gets localised and is not cut out. Pictured here is Mahjong Kakutou Club for PS3, by Konami. Here meanwhile is a rather nifty guide.


ShogiHaving been aware of Shogi since learning Chess, this should have been easy to learn. It’s basically the same concept of a board of military figures, each with their own specific movement pattern. You can also promote characters, much like in Chess and Chequers.

Unfortunately while Chess has physical pieces with their own defined shape and colour, Shogi simply has small wooden chips with the piece’s name written on it in Kanaji - sometimes very elaborate Kanji, difficult for the western eye to discern. As such it’s a complete mystery to me. I’ve tried repeatedly to practice it, with easy computer opponents, but after a few minutes the indistinct text becomes blurry and my brain finds it impossible to calculate the situation at a glance. At least with Mahjong each piece is visually distinct and coloured for easy recognition (well, except the Wind pieces, but they constitute only 4 symbols).

If you want to learn how to play, avoid the Yakuza 2 version which has no tutorial (and has REALLY blurry kanji), and instead get 42-in-1 All Time Classics for the Nintendo DS. It has an extremely good guide. There’s also Shotest Shogi on XBLA (pictured).


IgoI first became interested in Go (aka: Igo) when I read that Hiroshi Yamauchi of Nintendo was a keen player, and enjoyed testing Western businessmen he met, if they knew how to play. Losing not too badly apparently impresses him, according to David Sheff’s Game Over book.

Each player takes it in turn to place their coloured stone on a grid. So long as your stone either has an empty space adjacent to it, or has a stone of the same colour along side it which is adjacent an empty space, those stones are alive. Basically image that each stone represents a platoon - if they’re completely surrounded, they’re dead and are removed from the board. The game ends when both players feel there are no further moves to be made.

Unfortunately it suffers from the same problem that makes me sometimes dislike Chess - the need to think ahead by several moves. This never works for me, because if I set up an ingenious 20-step plan for victory, it’s entirely reliant on my opponent not doing anything to upset it. So if they do something 15 moves in which doesn’t fit my template, out goes the complicated plan and my patience.

Thing is, with Chess you can wing it a lot of the time, and so I play on the fly. I’ve heard that’s how Chess players who take on multiple opponents do it - they focus only on each move at hand and ignore long-term strategy. You can’t do this with Go – you need to look ahead, I’m told, by sometimes 50 moves. By the time I’ve seen the strategy my opponent has been planning, it’s too late and everyone is dead – there’s no sending the Queen to the frontline to sacrifice herself and freak the opponent out. There are no gung-ho moves in Go and the value of any single stone is only built over considerable time.

Which is a pity, because conceptually I love the game. No complicated rules about what pieces do what, just black stones and white stones on a grid. A battle for territory where each placed piece remains stationary until capture. It’s kind of poetic. I’ve played a few games with a Japanese friend’s father, and I’ve dabbled in various game versions, from the Famicom to the DS, but I’ve never found one in English (except online versions), and I’ve never found one that I was comfortable enough with to really practice on.
Do any HG101 readers have a console version of Go they’d recommend? I’d love to find an English version for a handheld system, or even an intuitive Japanese title for PS3. Apparently 1 in every 222 people on Earth plays Go!


Hanafuda
Ahh, now this is my favourite, more so than any of the above. I learned this on my first trip to Japan, playing it wherever I wandered, like some kind of card-playing Ronin.
A Japanese woman with hanafuda tatoos


There are 12 suits, based on each month of the year, each containing 4 cards. Every card has a visual representation, like a man in the rain, a stork, or just plain flowers, so they’re easy to memorise. Two players take it in turns to pick a card from the deck, and then either match one of the cards in their hand with one of those face up on the table, or discard one from their hand. You match cards of the same suit, so if there’s 2 September cards on the table, you need one of the other 2 September cards to pick one on the table up.
The fun comes from the scoring combinations. To win a game you need to achieve at least one scoring combination (for example: Wild Board, Wild Deer and Butterflies - or Sake Cup and Full Moon). After that you can either continue playing until you get another combination, or end it there to receive your scores for that combination. Continuing is risky though, since if the opponent then gets a combination, he’ll receive double the points.
I first played it while wearing loose jimbei, sipping warm sake and eating chilled raw horse meat in a small mountain town, while outside the cicadas buzzed in the hot night air – there are few other things to do in Japan which, to me, convey such an authentic atmosphere. As the game of choice for the nation’s organised criminals, there’s a certain satisfaction when getting into a really good game and discussing the poetic merits of each score combination. This was also the card game that made Nintendo’s fortune in their early days, and they still manufacture it.

For added fun, it’s said there are as many rule variations as there are Japanese towns, and inventing your own scoring combinations for play with friends is encouraged, as long as everyone is happy with them.
Videogame wise there are nearly as many Hanafuda games as Mahjong available, though the best is in Clubhouse Games on the Nintendo DS, which is in English with a great learning guide. The rules and scoring combinations are pleasant and authentic, and the computer takes care of things like scoring, even going so far as to make cards in your hand flash if they can be paired up with something on the table. This is perfect, as it allows beginners to learn it very quickly. It also features online play, so you never need feel bored with the computer AI!

If you have any interest at all in card games, you owe it to yourself to learn Hanafuda, which is supremely satisfying to play.
Posted by Sketcz at 12:30 PM 12 comments
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