Random Bit of Castlevania Lore - The Staircase Glitch in Dracula's Chambers

In Akumajou Dracula X: Rondo for Blood for the PC Engine, there's a hidden staircase right before you fight the final boss. Once you walk up the steps to Dracula's chamber, you just have to jump around, hold up, and eventually you'll latch onto the invisible steps, carrying you to a secret room filled with cash. I've known about this for years and years, but what I didn't know was that this is actually a reference to a glitch from the Famicom Disk System version of Akumajou Dracula, the first Castlevania game.



I'm a little unclear on how to trigger it - this site gives some details, and this Youtube video shows it in action. It seems like you have to walk up and down until you "catch" the stairs a few pixels off, then walk upwards, past the actual steps, and continue on into oblivion. Obviously, there's nothing actually up in the sky other than glitched tiles and your eventual death, but with its allusion in Dracula X remarkably self conscious, and another bit of random depth in a game already overflowing with love and detail. Take note that this only works in the Famicom Disk System version, as well as all of the versions based off it, which include the GBA Mini cart and the Japanese VC release. The American and European carts, as well as the Japanese Famicom cart re-release, fixed this bug.



Symphony of the Night features the staircase in the same area, though its implementation is different. Here, you have to hit the upper wall to reveal a switch, which will in turn unfurl a visible staircase. Different items appear depending on if you're playing as Richter (in the prologue) or as Alucard later on.
<center><img src="http://www.hardcoregaming101.net/castlevania/dracx-glitch.png"></center><br /> <br /> In Akumajou Dracula X: Rondo for Blood for the PC Engine, there's a hidden staircase right before you fight the final boss. Once you walk up the steps to Dracula's chamber, you just have to jump around, hold up, and eventually you'll latch onto the invisible steps, carrying you to a secret room filled with cash. I've known about this for years and years, but what I didn't know was that this is actually a reference to a glitch from the Famicom Disk System version of Akumajou Dracula, the first Castlevania game.<br /> <br /> <center><img src="http://www.hardcoregaming101.net/castlevania/fds-glitch.png"></center><br /> <br /> I'm a little unclear on how to trigger it - <a href="http://members2.jcom.home.ne.jp/revelation12/history/data/01_03.htm">this site</a> gives some details, and <a href="http://www.youtube.com/watch?v=--dr9XIyL48">this Youtube video</a> shows it in action. It seems like you have to walk up and down until you "catch" the stairs a few pixels off, then walk upwards, past the actual steps, and continue on into oblivion. Obviously, there's nothing actually up in the sky other than glitched tiles and your eventual death, but with its allusion in Dracula X remarkably self conscious, and another bit of random depth in a game already overflowing with love and detail. Take note that this only works in the Famicom Disk System version, as well as all of the versions based off it, which include the GBA Mini cart and the Japanese VC release. The American and European carts, as well as the Japanese Famicom cart re-release, fixed this bug.<br /> <br /> <center><img src="http://www.hardcoregaming101.net/castlevania/sotn-glitch.png"></center><br /> <br /> Symphony of the Night features the staircase in the same area, though its implementation is different. Here, you have to hit the upper wall to reveal a switch, which will in turn unfurl a visible staircase. Different items appear depending on if you're playing as Richter (in the prologue) or as Alucard later on.

HG101 glitches #1: Ys IV Mask of the Sun (SFC)

In what is likely NEVER to become a regular column, I document an interesting glitch I found in Ys IV on the Super Famicom, and reveal a little of my warped logic in the process.
.
.
.


Whenever I play a game I have an inherent distrust of the designers, believing them to be in many instances trying to bamboozle me with their fiendish trickeries. A good example was in the original Yakuza. I came across a sobbing man who called out a woman’s name, lamenting how he lost everything because of her. Five minutes later a mission triggered, where a woman ran up to me being chased by a thug – she told me her name, the same exact same one the old man had mumbled, and begged me to save her. I thought aha! The game is trying to trick me, and if I save her I’ll lose everything too. I had assumed that the NPC was giving a warning for wary players, so I let her get dragged off. As it turns out you were supposed to save her and then lose everything, and in avoiding this fate I would never gain access to one of the game’s secret casinos. So in disgust I stopped playing and never completed the original Yakuza. It had clearly given me a warning which I had followed, and instead of being rewarded for my astute vigilance, I was punished.

Anyway, this highlights how an obsessively astute nature can disrupt game flow. As it did in Ys IV on the SFC.

At the start of Ys IV Dr Flair joins you, stating he intends to find a rare flower to create a special panacea. He lodges at the first inn you come across and stays there while you go off on your adventure. Most players would forget about this, but for me this mentioning of the flower took precedence over all other things – if it wasn’t to become a pivotal point of the game, it wouldn’t have been mentioned. Most writers avoid creating a “dues ex machina” situation by casually dropping something significant at the start of books, films and games. So when someone mentions being double-jointed, a place of interest, a bottle of milk or packet of prophylactics they’re picking up, right at the start of any narrative, my assumption is that the final act of this narrative will somehow hinge upon this seemingly innocuous item/skill/location/etc, otherwise it would never have been mentioned. In fact 90% of all films are ruined for people who watch with me, precisely because I pin-point every key aspect which most of the time ends up correct thereby totally spoiling it ahead of time (except Morgan Freeman and his knife throwing in Seven – that never went anywhere, making it something of a red herring).

So anyway, when I finally find this flower late into the game, at an exorbitant price, from a merchant who only has one of them, and then I’m asked to give this flower to an old man whose wife needs it, my SPIDY NERD SENSES kick in, and I realise: Tonkin House is trying to **** with my mind, man. Of course they’d set up this situation where I need to take the game’s ONLY flower to a dying old woman, thereby denying Dr Flair the game’s ONLY flower, and thereby denying myself some kind of outlandish reward – like having the power of GOD, or something equally outlandish.

So in order to fulfil my Messiah Complex and best the game’s trickeries, the only logical thing is to abandon the old woman and trek it aaaaaaaaalllllll the way back to Dr Flair, across about 137 different map screens, in order to instead give HIM the ONLY flower, in the original inn he’s staying at, and get the super secret reward.

Right? Eh, readers?

I could have looked up a FAQ to check this, but I trusted my gut instinct.

My belief was that only the most astute (or paranoid) of players would make such a journey. And therefore only such gifted individuals would receive an unimaginably amazing reward. Because if I made commercial games, they would all be made like this, forcing players to constantly double guess me and break the design flow – because if I made commercial games, I would absolutely 100% of the time be ****ing with your mind. My games would literally be non-stop mind ****ing.

So I trek it back to Dr Flair, who is still inside the inn. After talking to him he starts spouting strange gibberish about coming here to find me, after finding the flower himself, and that he’d take me to the elder if I follow him. At which point he freezes in place and Adol starts walking around the scenery, only to end up stuck inside the background, as in the starting image. It even incorrectly says: Elder's House.

As it turns out, you’re not supposed to go back to Dr Flair. Giving the flower to the old woman sets a trigger which places Flair in the seaside village, whereupon he’ll take you to the elder. Failure to bring her the flower causes him to remain at the inn. The curious thing is though, at some point a different trigger must have been activated, whereupon instead of his usual “best wishes” dialogue he initiates the conversation about taking you to the elder. So there must be two triggers at work: (1) to alter his dialogue response and (2) to actually make him appear in the seaside town. By triggering (1) and skipping out (2), I was able to initiate the wrong conversation while still inside the inn, which of course resulted in Adol getting stuck.

The worrying thing is you can still save the game after this, so it is quite a fatal glitch.

I reloaded and did things properly, whereupon I discovered that Flair ended up getting the flower on his own, so Tonkin House wasn’t really messing with my mind and I could have just gone with the flow. Making it all a great waste of time...

See? You absolutely cannot trust games designers.



<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSg-3iZ-HhmWSCyCl-x898-4nAUNiv90l5X1HazD2laiweuhnxyUGg-JB7fc5w2YVGtGkvF6WkX_Jt5ugN6FaL-0eFO62ZvlcoSOxCaqgY62Y-ZU-OnWPwDAAnC7fBdBAwhecXI1jS_UA/s1600/0017.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5585107664566314130" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSg-3iZ-HhmWSCyCl-x898-4nAUNiv90l5X1HazD2laiweuhnxyUGg-JB7fc5w2YVGtGkvF6WkX_Jt5ugN6FaL-0eFO62ZvlcoSOxCaqgY62Y-ZU-OnWPwDAAnC7fBdBAwhecXI1jS_UA/s400/0017.png" style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 256px; height: 239px;" /></a><br />In what is likely NEVER to become a regular column, I document an interesting glitch I found in <a href="http://www.hardcoregaming101.net/ys/ys3.htm">Ys IV on the Super Famicom</a>, and reveal a little of my warped logic in the process.<br />.<br />.<br />.<br /><br /><br /><span class="fullpost">Whenever I play a game I have an inherent distrust of the designers, believing them to be in many instances trying to bamboozle me with their fiendish trickeries. A good example was in the original Yakuza. I came across a sobbing man who called out a woman’s name, lamenting how he lost everything because of her. Five minutes later a mission triggered, where a woman ran up to me being chased by a thug – she told me her name, the same exact same one the old man had mumbled, and begged me to save her. I thought aha! The game is trying to trick me, and if I save her I’ll lose everything too. I had assumed that the NPC was giving a warning for wary players, so I let her get dragged off. As it turns out you were supposed to save her and then lose everything, and in avoiding this fate I would never gain access to one of the game’s secret casinos. So in disgust I stopped playing and never completed the original Yakuza. It had clearly given me a warning which I had followed, and instead of being rewarded for my astute vigilance, I was punished.<br /><br />Anyway, this highlights how an obsessively astute nature can disrupt game flow. As it did in Ys IV on the SFC.<br /><br />At the start of Ys IV Dr Flair joins you, stating he intends to find a rare flower to create a special panacea. He lodges at the first inn you come across and stays there while you go off on your adventure. Most players would forget about this, but for me this mentioning of the flower took precedence over all other things – if it wasn’t to become a pivotal point of the game, it wouldn’t have been mentioned. Most writers avoid creating a “<a href="http://en.wikipedia.org/wiki/Deus_ex_machina">dues ex machina</a>” situation by casually dropping something significant at the start of books, films and games. So when someone mentions being double-jointed, a place of interest, a bottle of milk or packet of prophylactics they’re picking up, right at the start of any narrative, my assumption is that the final act of this narrative will somehow hinge upon this seemingly innocuous item/skill/location/etc, otherwise it would never have been mentioned. In fact 90% of all films are ruined for people who watch with me, precisely because I pin-point every key aspect which most of the time ends up correct thereby totally spoiling it ahead of time (except Morgan Freeman and his knife throwing in Seven – that never went anywhere, making it something of a red herring).<br /><br />So anyway, when I finally find this flower late into the game, at an exorbitant price, from a merchant who only has one of them, and then I’m asked to give this flower to an old man whose wife needs it, my SPIDY NERD SENSES kick in, and I realise: Tonkin House is trying to **** with my mind, man. Of course they’d set up this situation where I need to take the game’s ONLY flower to a dying old woman, thereby denying Dr Flair the game’s ONLY flower, and thereby denying myself some kind of outlandish reward – like having the power of GOD, or something equally outlandish.<br /><br />So in order to fulfil my Messiah Complex and best the game’s trickeries, the only logical thing is to abandon the old woman and trek it aaaaaaaaalllllll the way back to Dr Flair, across about 137 different map screens, in order to instead give HIM the ONLY flower, in the original inn he’s staying at, and get the super secret reward.<br /><br />Right? Eh, readers?<br /><br />I could have looked up a FAQ to check this, but I trusted my gut instinct.<br /><br />My belief was that only the most astute (or paranoid) of players would make such a journey. And therefore only such gifted individuals would receive an unimaginably amazing reward. Because if I made commercial games, they would all be made like this, forcing players to constantly double guess me and break the design flow – because if I made commercial games, I would absolutely 100% of the time be ****ing with your mind. My games would literally be non-stop mind ****ing.<br /><br />So I trek it back to Dr Flair, who is still inside the inn. After talking to him he starts spouting strange gibberish about coming here to find me, after finding the flower himself, and that he’d take me to the elder if I follow him. At which point he freezes in place and Adol starts walking around the scenery, only to end up stuck inside the background, as in the starting image. It even incorrectly says: Elder's House.<br /><br />As it turns out, you’re not supposed to go back to Dr Flair. Giving the flower to the old woman sets a trigger which places Flair in the seaside village, whereupon he’ll take you to the elder. Failure to bring her the flower causes him to remain at the inn. The curious thing is though, at some point a different trigger must have been activated, whereupon instead of his usual “best wishes” dialogue he initiates the conversation about taking you to the elder. So there must be two triggers at work: (1) to alter his dialogue response and (2) to actually make him appear in the seaside town. By triggering (1) and skipping out (2), I was able to initiate the wrong conversation while still inside the inn, which of course resulted in Adol getting stuck.<br /><br />The worrying thing is you can still save the game after this, so it is quite a fatal glitch.<br /><br />I reloaded and did things properly, whereupon I discovered that Flair ended up getting the flower on his own, so Tonkin House wasn’t really messing with my mind and I could have just gone with the flow. Making it all a great waste of time...<br /><br />See? You absolutely cannot trust games designers.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM0vLAUVmMm1VWBqCpj6t3CieJ9xjU0PnO6GULVhkxjuzmVGGYTgewtsh1mKJZTxIpg45BmkXxaD69Y-YXd73j0oYNoVkdqYzX2rOux1EfbJr0Q7f_t8mKmdTXDQM7w8uQvydrXXe3hJg/s1600/564844_4917_front.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5585107667310801602" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM0vLAUVmMm1VWBqCpj6t3CieJ9xjU0PnO6GULVhkxjuzmVGGYTgewtsh1mKJZTxIpg45BmkXxaD69Y-YXd73j0oYNoVkdqYzX2rOux1EfbJr0Q7f_t8mKmdTXDQM7w8uQvydrXXe3hJg/s400/564844_4917_front.jpg" style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 218px; height: 400px;" /></a><br /></span>

Boku no Natsuyasumi TWILIGHT ZONE

After some random Googling I found a video which I had thought was lost (the original Youtube upload had been deleted). Here is a video of a glitch in the very first Boku holiday game on PS1. Japanese players discovered you could force the game to continue into a non-existent DAY 32 of the month, whereupon family members disappear and later, textures and audio go all wonky (around the 6.40 mark in this vid). This is both freaky and awesome, like some kind of deranged twilight zone. Notice how the father is made up of blue polygons and isn’t fully formed, while the mom’s abdomen is missing entirely. This reminds of the subject regarding game glitches which behave as games in themselves. Such as Mario’s Minus World, NES Metroid’s hidden worlds, Zelda 64’s red screen world, a maze of platforms hidden behind the ice scenery in Donkey Kong Country, and a tiny handful of other games which I can’t quite recall. For those interested in Boku no Natsuyasumi, there's the series of diary entries I did a while ago.
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhZW1wHyjzMGhyaX4mn91mvoJ6BY_kE0OVvSJWJnPzWNimYM6PwVDUxMeru2aXxe2pOjMwCwXOOfx_7F3tyYeZExGevgCeufl7u4SXqgA9zk0yL73JIjIqOC-yj-KpPG6tVH2m3Pp2Zo/s1600/twilightzone.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5551331333026242754" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhZW1wHyjzMGhyaX4mn91mvoJ6BY_kE0OVvSJWJnPzWNimYM6PwVDUxMeru2aXxe2pOjMwCwXOOfx_7F3tyYeZExGevgCeufl7u4SXqgA9zk0yL73JIjIqOC-yj-KpPG6tVH2m3Pp2Zo/s400/twilightzone.jpg" style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 291px;" /></a><br />After some random Googling I found a video which I had thought was lost (the original Youtube upload had been deleted). <a href="http://www.youtube.com/watch?v=JbgCYh1skSg">Here is a video of a glitch in the very first Boku holiday game on PS1</a>. Japanese players discovered you could force the game to continue into a non-existent DAY 32 of the month, whereupon family members disappear and later, textures and audio go all wonky (around the 6.40 mark in this vid). This is both freaky and awesome, like some kind of deranged twilight zone. Notice how the father is made up of blue polygons and isn’t fully formed, while the mom’s abdomen is missing entirely. This reminds of the subject regarding game glitches which behave as games in themselves. Such as Mario’s Minus World, NES Metroid’s hidden worlds, Zelda 64’s red screen world, a maze of platforms hidden behind the ice scenery in Donkey Kong Country, and a tiny handful of other games which I can’t quite recall. For those interested in Boku no Natsuyasumi, there's the <a href="http://blog.hardcoregaming101.net/2010/07/boku-no-natsuyasume-3-day-1.html">series of diary entries</a> I did a while ago.