Sega are running a competition to design fresh graffiti pieces for the up-and-coming re-release of Jet Set Radio on PSN and XBLA! Read on for the thrills...
Showing posts with label xbla. Show all posts
Showing posts with label xbla. Show all posts
Monday, March 5, 2012
Jet Set Radio – GRAFFITI COMPETITION
Sega are running a competition to design fresh graffiti pieces for the up-and-coming re-release of Jet Set Radio on PSN and XBLA! Read on for the thrills...
Tuesday, October 11, 2011
Bloodrayne: Betrayal is a good game, but not as good as it could have been
Looks like I'm a bit late to the party with this one. I read somewhere that Wayforward's reimagening of Terminal Reality's Bloodrayne series was delayed to October, and since I didn't spot it on the XBL marketplace, I assumed that to be true. It appears, however, that Microsoft merely does still chicken out of releasing mature rated content on the German marketplace. So I bought some MS points for my illegal fake pirate UK account, and was finally able to play it. Sadly, I'm not quite satisfied. Many have likened the game to classic Castlevania, and it is true that it shares many aesthetic elements (the Gothic-ish architecture, the style of the music), but in gameplay it couldn't differ much more while still being a sidescrolling action game. Regardless, Bloodrayne: Betrayal is actually a good game, but there was potential for so much more. Or rather, less, as less truly would have been more at parts.
The platforming in this game is simply beautiful. Ever since smooth controls have become the standard over Mario's wonky high-inertia physics or Castlevania's stiff mechanics, platformers have struggled to keep the challenge up. Almost all of Betrayal's higher level jumping sequences rely on the abstract physics mechanics: Either she has to dash in mid-jump, slash to keep her suspended in the air, or get off the ground with her super-high backflip (done by running a few steps and then turning around just before the jump). In best Super Mario Bros. tradition, enemies serve as stepping stones with her footstomp move. To get to all the secret areas (mostly to collect hidden red skulls, which substitute experience points), often all of the above has to be applied in order. Environmental hazards like moving chainsaws and laser barriers put extra pressure on the player. There are also dozens of lovely hommages to the classics, like the rotating cannons of Super Mario Bros. 3. The only thing that pisses me off about the controls: Rayne can't duck. I consider that a terrible sin in a sidescroller, that's why I never liked Mega Man much.
Unfortunately, platforming is only half the game, as Rayne spends at least the same amount of time fighting monsters in a boring Devil May Cry style combofest. Most of the time battles take place in super lazy locked single-screen areas. The game often gets ultra-chaotic with several different enemy types on screen at the same time, and that's were combat draws all its difficulty from. Rayne carries a gun for crowd control, but ammunition is very limited. The system shows much potential when combined with the platforming, but the drawn-out arena fights are just unecessary padding. After each stage, Rayne gets a ranking for her performance. After a normal playthrough, it's almost invariably "F". So in theory there's much potential for score runs, but the only way to really improve on the ranking in a meaningful way is to solve the arena fights more quickly. Given that they're the part one would prefer to skip in the first place, there's not much motivation to go back, tough.
At least sometimes they make clever use of Rayne's ability to use environmental hazards to her advantage, in a more varied manner than it was the case in Bloodrayne 2. (It even has portions were Rayne uses slain enemies as platforms to cross bodies of water/acid, which was planned for Terminal Realities last game in the franchise but ended up being left out in the end.) They haven't been very creative with the bosses, though. Up to stage 10, there are merely three boss fights, and two of them are against variants of the same monster.
In other parts loyalty to the original games is sporadic at best. Many monsters are clearly inspired by the TRI horror universe, but the drawing style makes them all look much too cute and not nearly as disgusting and horrifying as was probably intended. The coffin rocket Rayne uses to get from level to level maybe would have had its place in an anime-style franchise like Gungrave or Hellsing, here it just comes off as silly. The worst part is the dialogue, though, which is truly abysmal. BloodRayne never was Shakespearesque, but it very well captured that certain B-movie charme with its mix of trashy one-liners and awkward pathos. Here, however, it's embarassing fanfic at its worst. There's even a shitty emo vampire who helps out Rayne by turning into a white raven (Rayne later learns to turn into a bird herself). The game could have significantly improved just by cutting out all the dialogue (and the crappy emo vampire)—it'S that cringe-worthy. At least the lines are few and far between.
Regardless, BloodRayne: Betrayal still is a really good platformer. For fans of Devil May Cry, the combat might even be rewarding as well, while everyone else is annoyed by the arena brawls balancing the more well-integrated fights for the worse. Whoever liked the original games' flair will get a toothache from all the bullshit anime tropes, but at least it's easy to ignore most of them. Also, budget title developers really need to stop thinking that blacking out all the sprites is artistic. It's not artistic, it's annoying and boring. Please stop doing that! And give me a ducking animation.
Subscribe to:
Posts (Atom)