Friday, July 27, 2012
Update 7/27/2012; Michigan, Quartet & Gunlord
Wednesday, July 25, 2012
Secret History of DieHard GameFAN
This thread on The Next Level forums details numerous wild stories about what went on at DieHard GameFAN during its many years of production. But it's 180 pages, a lot of which is irrelevant. So I spent an entire day and sifted through every page, and followed every link to other forums, to condense it into a single epic page. My reason: a lot of the links were dying, perhaps the main thread was at risk too. Plus, who wants to sift through 180 pages for the juicy stuff? It's not a complete history, because a lot of what people linked to, and recollections from others forums, have since died. But it's the closest you'll get to 100%. Enjoy!
Thursday, July 19, 2012
The (almost) original version of Pitman (Catrap) preserved
Well, thanks to the efforts of community member BdR, who ardually typed in the game's source code, everyone can now try out the original MZ-700 Pitman - well, almost the original, as the code is based on the French Sharpentiers version in S-BASIC, which used to be much more commonly used than the Hu-BASIC version Isokawa used to program his game. Of course, you need an MZ-700 emulator to run it, but the download contains a readme that explains all the necessary steps. Be sure to also bookmark BdR's homepage in case of possible future updates.
Those interested in the game's source code can also find scans of both the original code (printed in the Japanese Magazine Oh!MZ 8/1985) and the French adaption in the article. Also check the forums to read and/or take part in the discussion about the game, its history and its code.
UPDATE: BdR has made a new version that fixes some bugs and deleted features in the Sharpentiers version, so it's now even closer to Isokawa's original code. The file hosted here has also been updated.
Tuesday, July 17, 2012
Adventure, a game released in the year of wedontknow; or: Wikipedia continues to be a danger to video game historiography and should never be used as a source
 Warren Robinett (photo taken from the developer's homepage) also programmed Slot Racers and Basic Programming for Atari, and later founded The Learning Company |
It all started a long time ago, back in 1979... or was it 1978? Or even 1980? We'll see about that; let it for now be said that this is the story of an Atari game called Adventure and its Wikipedia article. Adventure was programmed by Warren Robinett, conceived in 1978 (so the story goes) as a video game adaption to the original text adventure game "Collossal Cave" by William Crowther and Don Woods. Limited to tiny amounts of cartridge space but the Atari VCS' marvelous graphical capabilities, the game eventually had to take a very different shape than its first inspiration. Instead of navigating in turns through parser inputs, the player was to move around in real-time, maneuvering through a maze, searching for the tools to solve it (there was no inventory: the hero could only carry one item at a time), and fighting dragons like in an action game. The game is rightly considered the origin of the action adventure genre, building the foundation for milestones such as Icon: Quest for the Ring, The Legend of Zelda and Metroid. However, it goes beyond being an inspiration for a number of later games. It can be considered as the first step to combine the typical characteristics of both computer games and video games (which then encompassed arcades and home consoles) - we might have mostly the same kinds of games on all platforms now, but back then they were considered entirely different mediums: One where players were supposed to use their intelligence, and another that demanded their dexterity with a joystick. Its most immediate call to fame, however, was what is now called the first Easter Egg in video gaming (but what Robinett himself considered his "signature" at the time) that Robinett, fed up with the way Atari treated its designers, deftly hid to sneak in his name into the game: An object barely recognizable as such, only a pixel in size and colored the same as the floor, would open the passage to a secret room when carried to a certain location under certain conditions.
 The Adventure begins |
Well, but when exactly was the first action-adventure, if not the first video game genre-mix ever, unleashed on Atarimaniacs? The game's Wikipedia article has long bounced back and forth between 1978 and 1980, mostly motivated through conflicting copyright information on the cartridge and manual (a box with the 1978 date hasn't been spotted on the internet so far). We can now say with certainty that the 1978 date has been an obvious error on Atari's side (more about that in a minute), but it doesn't seem to matter, as in October 2007 a four-year-older interview with Robinett (Internet Archive backup as linked on Wikipedia; the site itself has since moved here) had been found, in which the creator states (in answering the question how long it took for the "Easter Egg" to be discovered):
I don't know exactly. About a year, maybe less. I handed over my finished code (with the Easter Egg in it) in June 1979, and quit. The game was released for the christmas season in 1979. I went back to my hometown in Missouri for a while, then traveled around in Europe for a while. When I returned to California in the spring of 1980, I think it was known by then. At least by summer 1980, it was known. I went out with some of the Atari game designers one night for pizza and beer and told them about how I did it. I saw a gleam in Rob Fulop's eye, like he was already planning his own Easter Egg."
 Fighting dragons |
There are several factors that should alarm any attentive reader about the use of this passage as a source: First, it starts with "I don't know exactly." Admittedly, that is his answer to when the easter egg became known, but it sets the right tone for what follows: Robinett left Atari half a year before his date for release, then left the state, and the country. He doesn't give dates for his geographic departures, but that can only amount to the problems of this passage: The language simply isn't very precise. I feel like I'm regurtitating this simple fact over and over again: Interviews are helpful and valuable, but we cannot write history based on people's 30-year-old memories alone, especially given the indefinite-sounding nature of the statements in this case. After all, there is an even older interview, which seems to contradict certain details in the later account, concerning the time frame between him finishing the game and quitting Atari. When I contacted Warren Robinett, he was so kind as to clarify this perceived conflict from his memories:
I handed over the what-I-thought-was-final code for Adventure at the time that I quit Atari in April 1979. I then went back to my hometown in Springfield, Missouri for a couple months. When I returned to California in June 1979, the two pieces of code which I had handed off in April -- for the VCS cartridges Adventure and Basic Programming -- had been criticized fornot being completely finished, and/or having bugs. So I spent a few days fixing these things, and got paid for it by Atari as a short consulting job. (They were considered not finished because I had not implemented an "attract mode" in which the colors cycled if no user input was received for several minutes.) The bug was that the screen rolled in Basic Programming under certain conditions. My fixes to the code seemed to satisfy everyone. This was June 1979.
He also granted that it was an assumption - however well-reasoned - that brought him to the Christmas 1979 release date:
Soon after that, in late summer 1979, I went to Europe. I was 27 years old. I traveled around and stayed in youth hostels sometimes, cheap hotels other times, and sometimes slept on the train on overnight trips, since I had a Eurail Pass. I stayed for a month in Hannover Germany, where I had friends, Johannes Goebel and Walburg Kicia. I returned to the US in early 1980. I am pretty sure the Adventure cartridge was released during the 1979 Christmas season. But I was in Europe during that time. People were definitely playing Adventure in early 1980. (...)
Anyway, the Adventure cart was definitely out in the world by June 1980, and had been out there for a while. My belief is that it was released during the 1979 Christmas season, but I did not actually see an Adventure cart in a retail store prior to Jan. 1, 1980. So I guess I don't truly know for sure.
 AVAILABLE SOON (1980 catalog) |
For Wikipedia, however, that one interview quote should suffice, and thus Adventure became "a 1979 video game." Since then, more evidence has been brought up to put the "Christmas Season 1979" date in question. Atari has published not one, but two revisions of their software catalog with a 1980 date, both of which build up hype for the game, which would become "available soon." Only in their 1981 catalog (judging from those that are preserved and available at the archives of the awesome AtariAge.com), the label dissapeared.
If one was to sacrifice a lot of time and effort, one could also entertain an extensive sighting of newspaper advertisements and find two ads by Hobbyworld Electronics in InfoWorld issues, which don't list the game by May 1980, but in the June variant. Now it would be naive to assume that every retailer got and advertised the game at the same time, but how much time can pass in between? Unfortunately this approach is crushed immediately by the only other added game: Indy 500, one of the very first games Atari published for the VCS. It should be noted, though, that it seemed impossible to find any advertising samples before June 1980 that have the game, but plenty printed after that, as well as many more earlier ones that don't.
Furthermore, the Magazine Video, one of the first outlets in the US to regularly report about video games thanks to legendary editors Bill "The Game Doctor" Kunkel (RIP) and Arnie Katz, was also the first to give independent awards for video game achievements. Video proclaimed Adventure the most innovative game of the previous year for the 1981 awards. Given the wording as later referenced in Kunkel & Katz' standalone video game magazine Electronic Games (Winter 1981, page 38/39) isn't as specific about the release date as one would hope ("reflects accomplishments during the 12 months of the preceding year"). The 1980 awards were still clearly cut to the end of the year 1979: "The first set of Arkies was announced in February 1980 and covered all hardware and software produced prior to January 1, 1980" which if followed through would have included Adventure had it been put out for Christmas 1979. For the record it should be said that by 1983 the time frame had shifted: "a title must have become available between October 1, 1981 and October 1, 1982 to be eligible this time." The text in the magazines gives no reason to assume that that the same had been applied before, but the 1981 Arkies (so those for 1980 games, bit confusing) do contain other games we think were released for "Chrismas season 1979" (And one Wikipedia still thinks was released in 1978).
Finally, the database of the US Copyright Office, which professes to contain all filed records from 1978 to the present, contains only one entry by Atari for Adventure, registrated years after the fact on May 14th, 1985, with the registration number TX0001344614. It lists the date of creation as just "1979", but the date of publication as June 29th, 1980. It is not exactly knowable what exactly had been copyrighted here; the type of work is listed as "Computer File," but Atari had only submitted a printout, as opposed to the audiovisual material that would usually go with registrating a video game, but it lines up in the long row of sources that don't know of any kind of publication before 1980.
 Screenshot from Electronic Games |
We've arrived at an impasse similar to the one Frank Cifaldi found himself at when trying to establish a definite date for the US release of Super Mario Bros.. Although we have several clues that hint at different dates, we're left with no solid proof for either of them. All we can say for sure that Adventure was available by June 1980, as evidenced in advertisements and supported by the point in time Warren Robinett is confident to attribute absolute certainty to, as well as the only available copyright notice with that name filed by Atari.
I'm by no means dead-set on establishing that Adventure was published in 1980 - what's there to gain? It's not like there have been any games like it in the meantime, and it stands as a groundbreaking achievement either way. In the best case it'd make only a difference of a couple of weeks, and certainly no more than six months. It's still entirely possible that 1979 is correct - but if it is, it's so by chance and not by method. We have no facts whatsoever to support the assumption. I've tried adding Template:Refimprove to the article, indicating that "there are some, but insufficient, inline citations," but Wikipedia brass (this isn't a figure of speech, Wikipeda actually likes to award virtual medals to its editors for being editors, as if it were a little despotic military regime) quickly jumped in to fiercely defend the 1979 date. (Turns out the better label would actually have been Template:Disputed, although the argument for deleting the Refimprove shows a lack of comprehension of the site's own rules as they're defined, and the editor in question didn't bother to replace it with the correct and necessary Disputed, either.)
And by Wikipedia brass, I actually mean the one guy who dug out the interview for its citation in the first place, and who shows an unhealthy clinging to the version he has personally promoted in the past, including its listing in several print articles. And the defense he's bringing up to support the weak (by historiographic standards) original source? A long list of new "sources" attached to the release date. I've gotten used to the frequent misuse/abuse of false and invalid sources on Wikipedia by now, but this is too hilarious to not count them up one by one:
- The first one is 1UP's entry for Adventure in their The Essential 50 series. If the iffy dating of 1UP's articles is to be relied on in this case, it was posted on January 31st, 2004 - before the date was adopted by Wikipedia, but after the interview with Robinett that popularized the Christmas 1979 date. Being a strictly journalist venture, 1UP of course simply lists the release date, without elaborating how they ended up with it.
- Next up is the current Atari's official site for the game, where it can be played inside the browser. The page itself is not dated - only the Atari homepage as a whole is decorated with a 2012 (it was 2009-2011 about the time it was added) copyright. That doesn't matter at all, though, as anyone whose ability to read is complemented with the rare skill to actually comprehend a written sentence, the site doesn't even say the game was published in 1979, merely that Robin Warinett created it that year, which by all accounts has to be assumed as correct.
- Now things are getting really funny. Or really sad, I'm not sure yet. The editor actually had the nerve to quote The Video Game Theory Reader 2 and Vintage Games: An Insider Look at the History of Grand Theft Auto, Super Mario, and the Most Influential Games of All Time. They have both been published in 2009. Which without further insight should give them about a 90% chance that such a minute, seemingly trivial detail as the game's release date was either taken directly from Wikipedia in the first place or directly from statements by Warren Robinett himself - especially since neither work goes out of its way to cite its sources in detail (Robinett contributed the foreword for the first volume of The Video Game Theory Reader, so the authors are more than very likely to have gotten their information from him; Vintage Games does put a couple citations, though its very spotty about it; the passage my antagonist is likely to have abused has none). What the editor has done here can be likened to just having missed seeing a coin thrown into the water, and declaring the amount of money lying on the ground based on the number of ripples it caused.
- Finally we have The Medium of the Video Game, originally published in 2001 and thus the only source that predates the fated interview during which Warren Robinett has first (it seems) spoken out about his assumption for the game's publishing date, but equally indifferent to sourcing as most of its new neighbours on the article page. My suggestion to correct the many other newfound pieces of knowledge this book blesses us with to improve Wikipedia in the same manner, has been hypocritically ignored by the editor. To commit the indecency of quoting myself:
(...) then it also has to be used to "correct" the release dates of the Atari 2600 games Haunted House (1981 instead of 1982), Superman (1979 instead of 1978) and the name of the hero in the original Donkey Kong as "Mario Mario" instead of "Jumpman". And that are only the cited + the following page. No doubt if you'd READ the whole book, you'd find at least a couple hundred new facts that obviously need to fix other, now obvious falsehoods in Wikipedia all along.
(Not to go on any more tangents here, but Wikipedia's 1978 for Superman is indeed most definitely wrong. Might elaborate in the comments in case someone's dying to know more.)
 The bridge should feel familiar to first-hour Zelda fans. |
To complete the package, all those new citations are now attached to a cell reading "Christmas 1979," while neither of them even mentions the season. As long as the very people that reign over Wikipedia's coverage on games history keep demonstrating this utter lack of the most basic principles of modern historiography, falsehoods and rumors will continue to run rampant throughout its pages. The shoddy methodology applied here is nothing short of outrageous, any real historian would have a field day tearing apart a bachelor's thesis with this kind of sourcing.
Now I'm not one to quickly call out people by their names for their failings, but in this case the sheer magnitude of influence this man exerts over game historiography makes it necessary that people know who he is. Besides being a member of WikiProject Video Games and the "Atari task force," as well as a "recent changes patroller" (the icon for that is very fitting for someone who likes to act as a self-proclaimed sherriff) at Wikipedia, Martin "Marty" Goldberg was for a long time in charge of classicgaming.com, where he used to run a site called "Electronic Entertainment Museum", is the current admin of atarihq.com, a member of the International Game Development Association's (IGDA) Game Preservation SIG, and calls himself a "fact checker" for the British magazine Retro Gamer. He will soon publish a book on the history of Atari. The book is Kickstarter-funded, which means people have given more than ten thousand US$ to this man to produce and publish a book on the history of our hobby.
To be fair, Goldberg is known to have done some decent journalist work on other occasions. For his articles and the book he conducted tons of interviews, and he appears to have access to a sizeable archive of actual "Atari documents" in the possession of his partner for the book, Curt Vendel. Vendel is also the admin of www.atarimuseum.com, where he indeed showcases a number of documents (though none pertaining to data that would be of use in this case). Goldberg's claim to belong on a higher plane than authors like Steven Kent, to be a "video games historian," and the lack of fulfillment to that claim, is what's really the problem here. He has demonstrated a tendency to accuse others of relying too much on mere interviews instead of "actual facts," yet his proposed remedy mostly consists of interviewing other people - Dare I propose those he personally admires more - to "clear up the issues," practically elevating their statements to dogma status. The promotion of his book also strongly relies upon this practice, claiming to be the "TRUE, unvarnished accounting" of history. Former Atari-employee Steve Woita spurs, quoted on the book's homepage: "I've yet to read a book about what really went on inside of Atari, by the actual people who worked there." Well, that only attests of a lack of knowledge of the more noteworthy books on video game history, as Steve Bloom, Dave Kent and even David Sheff, who had a strong focus on an entirely different company to begin with, all gave plenty of quotes from "actual people who worked there." Atari Inc. - Business Is Fun might turn out a great collection of memories and opinions. The available sample looks promising enough - for a journalist accounting. He has written a number of articles for Retro Gamer that claim to come "From the Archives," but that so far has manifested mostly in some fancy vintage photos (which are, it should be admitted, awesome) to decorate the actual article, which itself is carried by interviews. Business as usual. The greatest secret stash of original documents is useless if you bury it under a mountain of subjectively retold stories without providing for means to distinguish between the sources. It is important to recognize that this is not a historian's work, but a journalist one.
Let's assume though, for a moment, that Goldberg actually has access to the evidence needed to establish the 1979 release date - then why wouldn't he bring it up? Does he want to keep it for his book, actively damaging the integrity of Wikipedia for selfish ends? Well, that are just fancy conspiracy theories; as long as Martin Goldberg doesn't show any actual evidence that supports his clinging to the 1979 release date, it's all just juggling of personal retellings and random google results - be it unreflected or malignous. A good number of the entries he "significantly contributed" to at Wikipedia appear quite well-sourced, at least at first sight. (I'm not going in there to count which sources were added by whom.) He has shown on multiple occasions that he actually knows methods to do decent research (as in this snippet from the latest issue of Retro Gamer), and him doing the opposite in this case cannot possibly be but an act of choice for whatever reason, be it the inability to accept the idea that his hero(?) just might have erred or something else entirely. But even if he acts as irresponsible as he did with Adventure maybe only 1% of the time or less, maybe only for articles he personally doesn't care about too much - what does that say about credibility as a fact checker for an encyclopedia?
We don't know for sure when Adventure was first released, Warren Robinett doesn't know for sure, and if Martin Goldberg beliefs he has valid proof, he'd better produce it, or else admit that he doesn't. In the meantime, I can only repeat myself: Never use Wikipedia as a source, instead check their citations and see if those hold up, then cite from the original sources.
Thursday, July 12, 2012
Update 7/11 - Rushing Beat, Operation Darkness, Change Air Blade, Pilgrim: Faith as a Weapon, Ghost House/Monster Bash, Universal Theme Parks garbage
If Metacritic was anything to go by, everyone hated Operation Darkness, an SRPG with an interesting premise (werewolves and Nazis) that got lambasted for looking like a PS2 game, amongst other issues. But Sketcz cuts through most of that and finds a game that, while still having some issues, seems far, far better than its reputation might lead you to believe. The Rushing Beat trilogy are some fairly bog standard Final Fight clones courtesy of Jaleco, which were all connected in Japan but released under different names in the US - Rival Turf!, Brawl Brothers and The Peace Keepers. Pilgrim: Faith as a Weapon is one of those rather strange CG rendered first person adventure games, similar to the ones put out by French developer Cryo Interactive (they of Dune, Dragon Lore KGB and a few others.) Change Air Blade is, along with ADK's Twinkle Star Sprites, one of the very few competitive shooters. And Ghost House is an early Sega Master System game that I have a weakness for, mostly because it was one of the first games I got with the system, when I received it as a gift when I was five years old. It's one of those games that hard to justify any praise towards, but like many Sega games it's got a unique personality, a few amusing gimmicks, plus there's a link to the much earlier arcade game Monster Bash.
For the weekly kusoge, I subjected myself to Universal Studios Theme Parks Adventure, developed by Kemco for the Gamecube, which is the kind of game you'd give to your kids if you really hated them. And I updated the Guardian Heroes article to include some info and comparisons on the XBLA version. Only about, what, nine months late on that on. Time to catch up on some of the others, I suppose. And this month, Game Club 199X tackles Gauntlet II.
Friday, July 6, 2012
Let's Campaign for the Release of Sega's Planet Harriers
I don't know of this link is new or not, but check out http://sega.jp/opinion, which is a general contact form where you can contact Sega of Japan about stuff. In a recent interview with Famitsu 360, one of the Sega producers urged gamers to request classic Sega game you'd like to see ported to modern platforms. The past couple years, Sega has been absolutely brilliant in bringing its back catalogue to various services - recent arcade games like After Burner Climax, The House of the Dead 4, and Virtua Fighter 5 Final Showdown, revamped ports like Crazy Taxi, Jet Set Radio, Daytona USA and now NiGHTS into Dreams, and the awesome Sega Vintage Collection, with the likes of Golden Axe, Streets of Rage and Monster World.
Anyway, disregard whatever game you want to see on the service, because you should vote for Planet Harriers instead. Here is why.
Planet Harriers is the last in the line started by Space Harrier, which was originally released in arcades back in 1986. There were a few follow-ups like Space Harrier 3D for the Master System and Space Harrier II for the Genesis, but both were on weaker hardware and could not hold a candle to the original. Planet Harriers was something more of a true sequel - like the fantastic After Burner Climax and equally amazing OutRun 2, both of which it predated, it took the basic concepts of the original and molded it into a more modern game. The logical evolution of Space Harrier was to turn it into something like Panzer Dragoon, which is exactly what Planet Harriers is. You fly through canyons and caverns. There is are lock-on missiles. Opa-Opa from Fantasy Zone even runs a shop where you can buy stuff. The character designs are silly, yes, like the sexy nurse and the punk rock guy, but it really is classic Sega, blue skys and all.
There is a brief review in HG101's Space Harrier article, which is short because I'd written it all from memory, having played it only once several years before in a tiny "arcade" shoved in the corner of the food court in the Palisades Mall in Nyack, NY. I would like to be able to play it again. The best we can do in the meantime is watch this video:
Planet Harriers was released in 2000 only in the arcades for the Hikaru hardware, which was a stopgap between the Naomi (basically Dreamcast hardware) and Chihiro (basically Xbox hardware). Although the Xbox could've handled it from a technical standpoint (and perhaps even the Dreamcast could as well, if somewhat compromised), the game was never ported, for whatever tragic reasons. And since the only machines I've ever seen for it are in cabinet form, this makes it highly unlikely that you'll find it in an arcade nowadays. And the Hikaru is not emulated at the moment, nor is it emulatable in the near future. Unless a breakthrough happens, an official release from Sega will be the only way Planet Harriers ever gets exposed to the public, lest it become lost to the ravages of time.
So that's why you should vote for Planet Harriers. Sure, you might want to play Panzer Dragoon Saga. But you know what? Even if you don't feel like buying a Saturn and paying $150 for the discs, you can always just boot up SSF, torrent the ISOs, and have at it. I'd definitely love to play Golden Axe: Revenge of Death Adder, SegaSonic the Hedgehog or OutRunners on my Xbox, but I can already do that with MAME, if I wanted to. Any number of other random Genesis or Saturn or arcade games work the same way. It's not exactly the most legal way to do things, but it is possible. You can't do this with Planet Harriers, at all, and might not be able to, ever.
And if you don't care about Planet Harriers, keep in mind some of the other games that never got ports (or got crappy ports) and remain unemulated. Daytona USA 2, maybe? MAME claims Wing War doesn't work, but it kinda does, and would still be neat to see. Cool Riders, or Harley-Davidson & L.A. Riders (minus the license perhaps) or Sega Super GT/SCUD Race would be fantastic too. Even the remaining Spikeout games would be neat, considering the only one available is an obscure Xbox release.
Anyway, the form is in Japanese, so here are the instructions:
In the first space just put your e-mail address. In the second space put the game you want (Planet Harriers XBLA/PSN, or プラネットハリアーズ XBLA/PSN). In the last one you can put in a comment, just something simple. I wrote mine in English but if you want to be classy you can put in Japanese too, with these simple translations:
I want Planet Harriers! -
プラネットハリアーズが欲しい!
Please port Planet Harriers to XBLA/PSN -
XBLA/PSNにプラネットハリアーズを移植してください
I want to have Planet Harriers' babies! -
プラネットハリアーズの赤ちゃんを出産したい！
(actually don't do that one, even if the idiom makes any sense when translated into Japanese it will probably be kinda creepy.)
So let's all pitch in and make this a thing that can happen, and keep a bit of arcade history alive!
Sunday, July 1, 2012
Update 7/1 - Aero Fighters/Sonic Wings, Dark Fall, Oniken, Vigilance of Talos V, Paranoiascope, Ether Vapor Remaster
Aero Fighters, also known under the name Sonic Wings, is a series of overhead shooters mostly known for featuring a dolphin named Spanky. Essentially the predecessor to various Psikyo games like Sengoku Ace, they're fairly okay games elevated to extra levels of goofiness due to their cast members. To contrast that, take a look at the Dark Fall games, a series of (mostly) first person horror adventure games from developed Jonathan Boakes. And for just plain flat out craziness, do check out Paranoiascape, designed by a Hollywood special effets artist who calls himself. Screaming Mad George.
Vigilance on Talos V is a game I remember from a PC Gamer demo disc ages ago, mostly because it was a huge ripoff of Super Metroid, blended with a bit of Turrican and some Western design and graphic sensibilities. It's clumsy, but anyone with a thing for exploratory platformers should take a look, at least, because while parts of it seem like heavy infringement, it does have a style of its own. And part 11 of the iOS Shooters article covers Siberian Strike, Sky Thunder, SkySmash 1918 and Shoot It.On the recent indie side of things, Oniken is a brilliant tribute to NES action games, taking inspiration from Ninja Gaiden, Vice: Project Doom, any number of Natsume games (Shatterhand, Shadow of the Ninja, SCAT), along with a healthy influence from Fist of the North Star and other bits of craziness. It's a ridiculous deal for $5 over at Desura. And Nyu Media, who has been releasing a number of doujin localizations like Satazius and the eXceed shooter trilogy, has published Ether Vapor Remaster, an enhanced version of the classy shoot-em-up we covered here a few years back, also available from their web site for a very reasonable $7.99. And finally, Your Weekly Kusoge is Savage Warriors, one of the many long line of ill-conceived, ill-executed fighting game clones for the PCs in the mid-90s.
An Open Letter to Retronauts
In a way, being the subject of Parish's scorn is the highest honor a Retronauts listener could hope for. But in another, more accurate way, I wish he'd lambast me for something I actually said, rather than the even dumber things he thinks he heard.
Valkyria Chronicles 3 English fan-translation
Better sneak this in now before our next update. The 3rd instalment in Sega's fantastic strategy RPG series, Valkyria Chronicles 3, is being fan-translated. The first game is, to my mind, still the best game on the PS3, in terms of inventive gameplay and stunning aesthetics. The PSP-only sequel, if we're being honest, sucked. They forced you to grind for random and arbitrarily given certificates to level your characters, meaning you spent the entire game using crappy recruits. The third game Sega said will never be localised because we didn't buy enough copies of VCII. Recently Sega has announced a 4th game in the series, a card game for browsers, effectively killing off one of the best new properties this generation. Thankfully VC3 is undergoing fan-translation into English. They've had some good progress, have test screens up, plus 2 videos. They seem to be making fast progress, so let's keep an eye on it. Good luck, gentlemen!