This week we have a look at two arcade fighting games from Psikyo, a company traditionally known for their shmups. Battle K-Road and Daraku Tenshi (aka: The Fallen Angels), aren’t the greatest examples of the genre, but they’ve got some rather fascinating quirks (including Mr Bear!) – plus the first game goes the usual route of ripping off the likenesses of known celebrities.
Sunday, April 29, 2012
29 April - Battle K-Road & Daraku Tenshi, Samurai Pizza Cats, Coryoon, Ihatovo, Book of Watermarks, Tomonori Otsuka, Fear Factor Unleashed
This week we have a look at two arcade fighting games from Psikyo, a company traditionally known for their shmups. Battle K-Road and Daraku Tenshi (aka: The Fallen Angels), aren’t the greatest examples of the genre, but they’ve got some rather fascinating quirks (including Mr Bear!) – plus the first game goes the usual route of ripping off the likenesses of known celebrities.Thursday, April 26, 2012
15 Years Later: How Sony's Net Yaroze Kickstarted Indie Console Development
It's taken me over a year to conduct all the interviews required for this epic feature, but today my expansive article on Sony's Net Yaroze was published on Gamasuta. I speak with a selection of developers from the UK and Japan, including Mitsuru Kamiyama, behind Terra Incognita. There's also commentary from David Johnston who I spoke about recently, plus many other awesome and creative individuals. If you like indie games, or are active in the XBLIG community, then I think you'll enjoy reading about this wild frontier from the later 1990s. It also follows on nicely from a previous entry I did on the Yaroze.
Saturday, April 21, 2012
21 April - Rayxanber, Dream Master, Go! Go! Kokopolo, David Hayter, Vanslug, iOS Shooters
Monday, April 16, 2012
Turrican Soundtrack Anthology By Chris Hülsbeck Kickstarter
For many of us, our childhood memories are set to the music of Chris Hülsbeck, the legendary German video game composer who in his early 20's became revered for his futuristic and melodic soundtracks. Hülsbeck was not only one of the most respected game composers over the course if the next decades, he became an icon and inspiration for young musicians all over the world, wanting to bring texture and life to the sounds of video games. Over the many years he has been active, Hülsbeck composed for games such as Turrican, Great Giana Sisters and Star Wars: Rogue Squadron. He has sold out albums, and he has sold out venues, having been honored with symphonic tribute shows in Sweden and Germany with fans gathering around the world.
Now, Hülsbeck is preparing for one of his lifelong dreams, to compile and arrange the music from the Turrican series to bring it to its fullest potential, and in order to make this a reality, he is asking his fans for support. With the Turrican Soundtrack Anthology, the grand music from the legendary Turrican series will be arranged in his studio, and the award winning WDR Radio Orchestra, who performed the Symphonic Shades and Symphonic Fantasies albums, will be brought in to tell all sides to the story of the silver armored hero's journey on the alien planet.
"My first Turrican album has sold roughly 10.000 units over the years. I know that the games still have a following, too. This project is a personal dream of mine and I hope that together with all the fans, we can make this happen!” -Chris Hülsbeck"
By pledging $25.00 you get the whole album on MP3 + a PDF booklet, while $50.00 gets you a limited edition numbered and signed 3 CD set. + the MP3′s before the album is printed. Aside from the finished CDs, supporters of the project can get their hands on numerous goodies like posters, t-shirts, Turrican ringtones for their mobiles, or even tickets for an orchestral game music concert that will take place in November in Cologne, Germany. Those who are willing to support the project with a larger sum may take an exclusive look behind the scenes and will be personally informed by Chris about the progress during the production. With the orchestra, studio production, premium booklet and packaging prints, the goal is $75,000, and whttp://www.blogger.com/img/blank.gifill run until June 3rd.
We here at Hardcore Gaming 101 love Chris Hülsbeck, and we have highlighted some of the games he has worked on in the past, some of which he has graciously provided insight into the creation of, such as Jim Power and Turrican.
Pledge your support at the Turrican Soundtrack Anthology Kickstarter!
Thursday, April 12, 2012
HG101's Best of PAX East 2012
Penny Arcade Expo East was in Boston on April 6th through 8th, which, at the time of this writing, was last weekend. Here is a random list of things I saw and how I felt about them!
Best Game That's Crappy For Different Reasons Than the Internet Seems to Think:
Double Dragon Neon
While it was unveiled last week, this game got a lot of flak for its polygonal characters and generally goofy 80s aesthetics. Granted, currently the backgrounds kind of bland, but the absurdity is really quite refreshingly hilarious! I find it amusing that we're allowed to make fun of our homeborn movies of the era, like with action movies and Tropic Thunder, but apparently Japanese-made video games are totally off-limits when it comes to poking fun. (Something which I haven't seen brought up elsewhere - you can revive fallen comrades by rewinding a tape with a pencil, done by rotating the analog sticks.)
It's not the style that's the problem. No, Double Dragon Neon is bad because it's just a bad beat-em-up. It's in that weird mid-way point where it doesn't play like Double Dragon but doesn't strive to be anything better either. Any number of 90s arcade-style beat-em-ups, like Streets of Rage 2, Final Fight, or even Double Dragon Advance for the GBA, just play MUCH better. Apparently it's only been in development for a few months, but considering publisher Majesco was touting a Summer 2012 release, it's only giving developer Wayfordward five months at max to get things into get.
Best Awful Exploitive, Nostalgia-Mining Garbage That I Will Buy For $40 on Day One:
Final Fantasy Theatrhythm
There are thirteen levels in this game, each one based on one of the mainline games in the series. The first is a jaunty "journey" theme, the second is a battle, and the third is an "event" song showing famous footage from the game in question. None of the music is arranged (I played the FFVI level), and I'm a little at odds with the cutesy character redesigns. As a rhythm game, it's not even particular innovative, because you just tap or swipe the screen as necessary, and the RPG elements seem grafted on to either unbalance the game or encourage OCD.
But man, I do love the Final Fantasy games. And it's not as aggressively awful as those Final Fantasy VII spinoffs were. It's just so obviously engineered to appeal directly to the weakness of people like me, and I feel like a sap. Bububu Terra's Theme! I'm a awful person.
Best Interview That Wasn't an Interview Because I'm Terrible at This Whole "Games Writing" Thing
While I was watching someone play Swords and Sworcery at the Capybara booth, I ended up chatting with someone who ended up being Craig Adams, AKA Superbrothers, who did the distinctive pixel artwork for the game. I really wish I'd made this a formal interview and actually recorded it, because it was a cool conversation about the nature of puzzles and their place in adventure games. When I discussed my book, he mentioned how he loved adventure games growing up due to the artwork and writing, but going back and playing them, just hated the puzzles and found them all insufferable. Swords and Sworcery was largely created as a response to that, to give the player the best of the genre without sticking in the worst.
Of course, that becomes an issue because then it's not much of a "game", and therefore the interaction begins to feel inconsequential. I think it works for Sword and Sworcery, but only because it's aesthetically so excellent - without that style, it would be almost completely insignificant. Because of this I wasn't quite sure whether to stick the game in the adventure game book (also, the iPod port came out around the same time I was finalizing the text, so coverage would've been rushed.) I've been messing around with Adventure Game Studio for the past few months, creating my own game, and while the writing is generally easy, the puzzle design is definitely the hardest part. How can you make the player interact with the world in a way that not only makes them feel involved but also makes sense in, and ideally adds to, the game world?
I follow the notion that puzzles should be jokes, the kind that can only be told in an interactive form. (My favorite example is the one in Day of the Tentacle, where you need to get thousands of quarters in order to stick a sweater in a drier in order to shrink it over the course of 200 years, so you can put it on a hamster that you froze. It's only really funny because of the numerous leaps in quasi-logic you need to take in order to reach this conclusion.) But how do you tell those gags without intimidating the player and causing them to get stuck? I keep trying to get my fiancé to play The Secret of Monkey Island, which she gets put off by, but she absolutely loves Psychonauts and Costume Quest. But those are whole different genres - is the only solution for adventure games to succeed to basically not be adventure games, to take the best of them while grafting them onto completely different mechanics? Or just leave out those mechanics altogether, to the point where you're just in a vaguely interactive storybook?
Anyway, it was a neat discussion that you'll have to take my word for.
Best Fan Translation News
On Saturday morning in the retro gaming room Gideon Zhi of Aeon Genesis showed off a few new fan translations he'd been working on. Super Robot Wars Alpha and Super Robot Wars Alpha Gaiden were shown, a huge series that I know has a huge fanbase, though I'm not particularly into them myself. A bit more up my alley was the unveiling of Shin Megami Tensei If..., the third and last Megaten game released on the Super Famicom, which has yet to see release to English. It's still a work in progress, but should be ready in the coming months.
Also shown off (though not by Aeon Genesis) was the English translation for Suikogaiden. I would've loved to play this back when Suikoden II came out, since it featured Sierra the vampire, one of my favorite (and apparently one of the most popular) characters in that game, so I'm certainly looking forward to giving it a shot now. There's no official group name for this yet beyond "Suikogaiden Translation Project", but check out the forums for more news.
Best Castlevania Tattoo
Right before my panel, I ran into someone that I'd talked over e-mail with like a decade prior, in my previous life running The Castlevania Dungeon. He shows me his arm-length tattoo, which was largely based on Castlevania II: Simon's Quest. You can probably only make out minor details on this cellphone pics, but it was damned cool - there was even a graveyard duck in there.
Best Arcade Game I'd Never Heard About
The best part of the arcade room isn't getting to replay old games in their proper context - no, it's actually about discovering these old games that I've never heard of. I was too young to proper visit arcades for most of the 80s, so most of the games I was familiar with were because of their console or computer ports. My favorite?
Quantum
Using a vector display and a trackball, the goal is to draw circles around the various things on the screen. The trail you leave is pretty small, plus those various things can also kill you. It's one of those games that absolutely needs the trackball to function, and is probably why it has (as far as I know) has never been ported. It seems like something that would probably exist as a mobile game though, since it might function as a touch screen game.
Runner-up:
Minefield
Published by Stern, this is a dual joystick game that's a bit different from Robotron. Here, you control a tank at the bottom of the screen, weaving through mines and shooting at enemy airplanes, tanks and other stuff. It's not nearly as harrowing as Robotron, but it's pretty fun, and the challenges in each level are varied enough that it keeps you on your toes.
Not quite Runner-up:
Life Force
This is the first time I've seen a Life Force cabinet since the local YMCA when I was like eight. It's not all that good of a game, but it's cool to see. (This is the US version, which means it's closer to the game known as Salamander in Japan - it would later go through some modifications to be released again in Japan, also under the name Life Force, which is what the NES version is based off of.)
Best Contest in the Retro Gaming Room
Jet Set Willy
The retro gaming room usually has a decent loadout of NES, Genesis and SNES stuff, but this year they had two computers I'd never played before outside of emulators - the MSX and the ZX Spectrum. It was my first time playing Jet Set Willy, which is one of those curious games Retro Gamer seems to herald even though it likely baffles everyone outside of the United Kingdom. The goal was to collect 20 treasures and then you win...something. I joked on twitter that it would win you British citizenship (and maybe some of that NHS healthcare? Please?)
Someone did beat it, so the next challenge was to get to level 5 on the hardest difficulty in Robotron 2084 for the Atari 800. I made it to level 4 - it's the version of the game I grew up with. I don't think anyone beat this particular challenge.
Also, here's a picture of the MSX with Maze of Galious for my Game Club 199X bros:
The biggest issue with the retro game room, in both this year and previous years, is that they all use widescreen LCDs instead of proper 4:3 CRTs. The reason for this is that, most likely, the company they're leasing all of this equipment doesn't offer older TVs anymore (plus they're ridiculous bulky in comparison, making them more expensive to move) but it's still unfortunate, especially in the cases of these European computers, where the displays were horribly messed up even with PAL converters.
Best Swag in a Show That Is Not At All About Swag
PAX isn't the best place for buying stuff. I was discussing this with one of the sellers at MAGFest, and he said that PAX just doesn't draw the kind of audience for retro gaming stuff. There were four booths with retro games, including the infamously super-overpriced Video Games New York, along with some other place that was trying to sell cart-only copies of Chrono Trigger for $90. (I would've taken some pictures, but it's awkward to explain to the owners that you're photographing them with the intention of mocking their absurd prices elsewhere on the internet.) The two other ones, located off to the other sides, were surprisingly reasonable though.
Anyway, the stuff I bought:
The soundtrack to Sword and Sworcery on vinyl
I don't own a record player, and this is only the second record I own (after the one that came with the Bioshock 2 limited edition), but it's a great soundtrack and a cool collector's item. Besides, I've always felt a bit of kinship with vinyl collectors - like retro game enthusiasts, they also seek out these things because their cover artwork recalls an earlier era, and because it sounds more authentic than the too-clean digital recordings of the modern era (which would equate to things like the Virtual Console and emulators in video game speak.)
Megaman Robot Masters Guide
I swear this book has been on Udon's release list for years, (and is still up for preorder at Amazon) but they finally had it out today. The fifth grade version of me would've absolutely loved this book, with its comprehensive breakdown of all of the robot bosses from the original Megaman series. The only major strike against it is that it doesn't actually say which game the bosses appear in - I only grew up with the first four NES games and everything else sort of blurs together to me, especially the Game Boy games. Less disconcerting but also worth noting, is that it's missing the robots from the PC version of Mega Man 3. I know it's not officially recognized by Capcom (and they'd be right to want to forget it), but if you're going to try to be comprehensive...
Brental Floss - What If this CD had Lyrics
On the drive up to Boston, one of my friends introduced to Brental Floss, who is basically the Weird Al of video game music, taking famous songs and sticking silly lyrics in them. It all works! There was a small live show, and the $10 CD seemed like a paltry amount to pay for the guy who brought us "Crazy Duck in Space" (not the actual name of the song, but that's what it basically is). You can grab the MP3s at Amazon too, if you're curious.
Best Secret Game of the Convention
The Quest of Ki
Not actually shown at the convention in any way, shape, or form, but my friends and I watched the Game Center CX episode where Arino tries to conquer this Namco "hidden masterpiece", so all three of my troupe ended up loading it on our phones to try to beat it the whole weekend. It's one of those games with very specific quirks you need to accept (and even exploit), but if you have the patience for it, it's not all that bad.
Most Challenging Game:
Again, not actually at the convention, but this shifty multi-game cabinet at a rest stop just outside of Boston request that you play their games...sideways!
Best Smell:
From a wholly rational standpoint, I am never in any mood for $9 convention cheeseburgers, but the ever-present smell of bacon in the area around the expo center entrance made it very difficult to say no.
Best Panel I Was On:
Retronauts - Your Favorite Games...Are Awesome
This particular panel turned out pretty well! It was largely driven by audience participation, which makes things more casual than usual. Turnout was a bit small, but that happens when being the last panel on Sunday after most people have left, and everyone else being over at the Gearbox panel. Sorry guys who liked Banjo-Tooie and Syphon Filter 2! It's not that we hate them or anything, we just haven't played them! The audio is available at 1UP.
Best Game That's Crappy For Different Reasons Than the Internet Seems to Think:
Double Dragon Neon
While it was unveiled last week, this game got a lot of flak for its polygonal characters and generally goofy 80s aesthetics. Granted, currently the backgrounds kind of bland, but the absurdity is really quite refreshingly hilarious! I find it amusing that we're allowed to make fun of our homeborn movies of the era, like with action movies and Tropic Thunder, but apparently Japanese-made video games are totally off-limits when it comes to poking fun. (Something which I haven't seen brought up elsewhere - you can revive fallen comrades by rewinding a tape with a pencil, done by rotating the analog sticks.)
It's not the style that's the problem. No, Double Dragon Neon is bad because it's just a bad beat-em-up. It's in that weird mid-way point where it doesn't play like Double Dragon but doesn't strive to be anything better either. Any number of 90s arcade-style beat-em-ups, like Streets of Rage 2, Final Fight, or even Double Dragon Advance for the GBA, just play MUCH better. Apparently it's only been in development for a few months, but considering publisher Majesco was touting a Summer 2012 release, it's only giving developer Wayfordward five months at max to get things into get.
Best Awful Exploitive, Nostalgia-Mining Garbage That I Will Buy For $40 on Day One:
Final Fantasy Theatrhythm
There are thirteen levels in this game, each one based on one of the mainline games in the series. The first is a jaunty "journey" theme, the second is a battle, and the third is an "event" song showing famous footage from the game in question. None of the music is arranged (I played the FFVI level), and I'm a little at odds with the cutesy character redesigns. As a rhythm game, it's not even particular innovative, because you just tap or swipe the screen as necessary, and the RPG elements seem grafted on to either unbalance the game or encourage OCD.
But man, I do love the Final Fantasy games. And it's not as aggressively awful as those Final Fantasy VII spinoffs were. It's just so obviously engineered to appeal directly to the weakness of people like me, and I feel like a sap. Bububu Terra's Theme! I'm a awful person.
Best Interview That Wasn't an Interview Because I'm Terrible at This Whole "Games Writing" Thing
While I was watching someone play Swords and Sworcery at the Capybara booth, I ended up chatting with someone who ended up being Craig Adams, AKA Superbrothers, who did the distinctive pixel artwork for the game. I really wish I'd made this a formal interview and actually recorded it, because it was a cool conversation about the nature of puzzles and their place in adventure games. When I discussed my book, he mentioned how he loved adventure games growing up due to the artwork and writing, but going back and playing them, just hated the puzzles and found them all insufferable. Swords and Sworcery was largely created as a response to that, to give the player the best of the genre without sticking in the worst.
Of course, that becomes an issue because then it's not much of a "game", and therefore the interaction begins to feel inconsequential. I think it works for Sword and Sworcery, but only because it's aesthetically so excellent - without that style, it would be almost completely insignificant. Because of this I wasn't quite sure whether to stick the game in the adventure game book (also, the iPod port came out around the same time I was finalizing the text, so coverage would've been rushed.) I've been messing around with Adventure Game Studio for the past few months, creating my own game, and while the writing is generally easy, the puzzle design is definitely the hardest part. How can you make the player interact with the world in a way that not only makes them feel involved but also makes sense in, and ideally adds to, the game world?
I follow the notion that puzzles should be jokes, the kind that can only be told in an interactive form. (My favorite example is the one in Day of the Tentacle, where you need to get thousands of quarters in order to stick a sweater in a drier in order to shrink it over the course of 200 years, so you can put it on a hamster that you froze. It's only really funny because of the numerous leaps in quasi-logic you need to take in order to reach this conclusion.) But how do you tell those gags without intimidating the player and causing them to get stuck? I keep trying to get my fiancé to play The Secret of Monkey Island, which she gets put off by, but she absolutely loves Psychonauts and Costume Quest. But those are whole different genres - is the only solution for adventure games to succeed to basically not be adventure games, to take the best of them while grafting them onto completely different mechanics? Or just leave out those mechanics altogether, to the point where you're just in a vaguely interactive storybook?
Anyway, it was a neat discussion that you'll have to take my word for.
Best Fan Translation News
On Saturday morning in the retro gaming room Gideon Zhi of Aeon Genesis showed off a few new fan translations he'd been working on. Super Robot Wars Alpha and Super Robot Wars Alpha Gaiden were shown, a huge series that I know has a huge fanbase, though I'm not particularly into them myself. A bit more up my alley was the unveiling of Shin Megami Tensei If..., the third and last Megaten game released on the Super Famicom, which has yet to see release to English. It's still a work in progress, but should be ready in the coming months.
Also shown off (though not by Aeon Genesis) was the English translation for Suikogaiden. I would've loved to play this back when Suikoden II came out, since it featured Sierra the vampire, one of my favorite (and apparently one of the most popular) characters in that game, so I'm certainly looking forward to giving it a shot now. There's no official group name for this yet beyond "Suikogaiden Translation Project", but check out the forums for more news.
Best Castlevania Tattoo
Right before my panel, I ran into someone that I'd talked over e-mail with like a decade prior, in my previous life running The Castlevania Dungeon. He shows me his arm-length tattoo, which was largely based on Castlevania II: Simon's Quest. You can probably only make out minor details on this cellphone pics, but it was damned cool - there was even a graveyard duck in there.
Best Arcade Game I'd Never Heard About
The best part of the arcade room isn't getting to replay old games in their proper context - no, it's actually about discovering these old games that I've never heard of. I was too young to proper visit arcades for most of the 80s, so most of the games I was familiar with were because of their console or computer ports. My favorite?
Quantum
Using a vector display and a trackball, the goal is to draw circles around the various things on the screen. The trail you leave is pretty small, plus those various things can also kill you. It's one of those games that absolutely needs the trackball to function, and is probably why it has (as far as I know) has never been ported. It seems like something that would probably exist as a mobile game though, since it might function as a touch screen game.
Runner-up:
Minefield
Published by Stern, this is a dual joystick game that's a bit different from Robotron. Here, you control a tank at the bottom of the screen, weaving through mines and shooting at enemy airplanes, tanks and other stuff. It's not nearly as harrowing as Robotron, but it's pretty fun, and the challenges in each level are varied enough that it keeps you on your toes.
Not quite Runner-up:
Life Force
This is the first time I've seen a Life Force cabinet since the local YMCA when I was like eight. It's not all that good of a game, but it's cool to see. (This is the US version, which means it's closer to the game known as Salamander in Japan - it would later go through some modifications to be released again in Japan, also under the name Life Force, which is what the NES version is based off of.)
Best Contest in the Retro Gaming Room
Jet Set Willy
The retro gaming room usually has a decent loadout of NES, Genesis and SNES stuff, but this year they had two computers I'd never played before outside of emulators - the MSX and the ZX Spectrum. It was my first time playing Jet Set Willy, which is one of those curious games Retro Gamer seems to herald even though it likely baffles everyone outside of the United Kingdom. The goal was to collect 20 treasures and then you win...something. I joked on twitter that it would win you British citizenship (and maybe some of that NHS healthcare? Please?)
Someone did beat it, so the next challenge was to get to level 5 on the hardest difficulty in Robotron 2084 for the Atari 800. I made it to level 4 - it's the version of the game I grew up with. I don't think anyone beat this particular challenge.
Also, here's a picture of the MSX with Maze of Galious for my Game Club 199X bros:
The biggest issue with the retro game room, in both this year and previous years, is that they all use widescreen LCDs instead of proper 4:3 CRTs. The reason for this is that, most likely, the company they're leasing all of this equipment doesn't offer older TVs anymore (plus they're ridiculous bulky in comparison, making them more expensive to move) but it's still unfortunate, especially in the cases of these European computers, where the displays were horribly messed up even with PAL converters.
Best Swag in a Show That Is Not At All About Swag
PAX isn't the best place for buying stuff. I was discussing this with one of the sellers at MAGFest, and he said that PAX just doesn't draw the kind of audience for retro gaming stuff. There were four booths with retro games, including the infamously super-overpriced Video Games New York, along with some other place that was trying to sell cart-only copies of Chrono Trigger for $90. (I would've taken some pictures, but it's awkward to explain to the owners that you're photographing them with the intention of mocking their absurd prices elsewhere on the internet.) The two other ones, located off to the other sides, were surprisingly reasonable though.
Anyway, the stuff I bought:
The soundtrack to Sword and Sworcery on vinyl
I don't own a record player, and this is only the second record I own (after the one that came with the Bioshock 2 limited edition), but it's a great soundtrack and a cool collector's item. Besides, I've always felt a bit of kinship with vinyl collectors - like retro game enthusiasts, they also seek out these things because their cover artwork recalls an earlier era, and because it sounds more authentic than the too-clean digital recordings of the modern era (which would equate to things like the Virtual Console and emulators in video game speak.)
Megaman Robot Masters Guide
I swear this book has been on Udon's release list for years, (and is still up for preorder at Amazon) but they finally had it out today. The fifth grade version of me would've absolutely loved this book, with its comprehensive breakdown of all of the robot bosses from the original Megaman series. The only major strike against it is that it doesn't actually say which game the bosses appear in - I only grew up with the first four NES games and everything else sort of blurs together to me, especially the Game Boy games. Less disconcerting but also worth noting, is that it's missing the robots from the PC version of Mega Man 3. I know it's not officially recognized by Capcom (and they'd be right to want to forget it), but if you're going to try to be comprehensive...
Brental Floss - What If this CD had Lyrics
On the drive up to Boston, one of my friends introduced to Brental Floss, who is basically the Weird Al of video game music, taking famous songs and sticking silly lyrics in them. It all works! There was a small live show, and the $10 CD seemed like a paltry amount to pay for the guy who brought us "Crazy Duck in Space" (not the actual name of the song, but that's what it basically is). You can grab the MP3s at Amazon too, if you're curious.
Best Secret Game of the Convention
The Quest of Ki
Not actually shown at the convention in any way, shape, or form, but my friends and I watched the Game Center CX episode where Arino tries to conquer this Namco "hidden masterpiece", so all three of my troupe ended up loading it on our phones to try to beat it the whole weekend. It's one of those games with very specific quirks you need to accept (and even exploit), but if you have the patience for it, it's not all that bad.
Most Challenging Game:
Again, not actually at the convention, but this shifty multi-game cabinet at a rest stop just outside of Boston request that you play their games...sideways!
Best Smell:
From a wholly rational standpoint, I am never in any mood for $9 convention cheeseburgers, but the ever-present smell of bacon in the area around the expo center entrance made it very difficult to say no.
Best Panel I Was On:
Retronauts - Your Favorite Games...Are Awesome
This particular panel turned out pretty well! It was largely driven by audience participation, which makes things more casual than usual. Turnout was a bit small, but that happens when being the last panel on Sunday after most people have left, and everyone else being over at the Gearbox panel. Sorry guys who liked Banjo-Tooie and Syphon Filter 2! It's not that we hate them or anything, we just haven't played them! The audio is available at 1UP.
Tuesday, April 10, 2012
4/9 Update - Luciennes Quest, The Crystal of Kings, Net Guardian, Critical Path, Game Club Ep 5: Kings Quest V
Just a small update this week, since many will be at PAX East, but well balanced between RPGs, brawlers and shmups. We’'ve got a look at Lucienne’s Quest, one of the few Japanese RPGs to be released in English for the 3DO, then later ported to the Sega Saturn. It’'s really simple, but that'’s part of the charm. For fighting fans there’s The Crystal of Kings, a super rare arcade game for an obscure hardware board. It uses CG rendered graphics to surprisingly good effect. Our shmup quotient is Net Guardian, a fun vertical shooter for the PC98, set inside your computer and a pseudo-internet. Despite this there'’s no adult material, so it’'s totally safe for work.
The week's’ regulars include more shmup coverage with our ever expanding database of iOS Shooters, this week looking at Sky Force, Sky Force Reloaded, Roswell Fighter, and Hotfield. Following on from last week'’s Richard Ham interview there’s more Metal Gear/Syphon Filter coverage, as we chat with Scott Youngblood of later releases. Also, standard Your Weekly Kusoge coverage resumes with a look at Critical Path, possibly the worst designed FMV game we’ve seen – which is really saying something.
Finally, there's also Episode 5 of Game Club 199X. For April 2012, Snarboo, Sotenga and Bobinator, along with Xerxes and Discoalucard, chat a bit about King's Quest V: The Heart Grows Yonder, available for Amiga, DOS and NES. It was one of the best selling DOS games of the time and won several awards. It also features some rather obtuse puzzles! Also, join us this month for our playthrough of Landstalker on the Sega Mega Drive/Genesis. It's a rather excellent isometric platformer/JRPG from Climax, which at one point was planned to be updated for PSP.
Monday, April 2, 2012
2 April, Wolfenstein, SeaQuest DSV, Nowhere, BlaZeon, Richard Ham, Shaq Fu, Rhythm heaven
Our big feature this week is an comprehensive look at all things Wolfenstein. It covers both the original stealth computer games, and the bigger FPS series which shared the name. We also have a big feature on the SeaQuest DSV games - that's right, based on the TV show. Despite obscurity they're rather interesting, and we've got interview answers from three members involved with development.